It’s the 8th of April 2012 and ‘Pink Friday: Roman Reloaded’ has just become the first album by a female rap artist to chart at number one in the United Kingdom, and on its debut too. Just as ‘Starships were meant to fly’, so it seems, was Nicki Minaj. Racetrack rhymes dipped in a form of chaotic genius (never mind the occasional odd peculiar noise), this is a woman that tightly fastens a new meaning to the word ‘rap’ – accompanied with ribbons, rainbows and an acid high that would make Liam Gallagher ditch the credit card and pipe. As eccentric and inventive as Gaga, Minaj is a woman that can emulate the unpredictability and entertainment value of bigger names – but without taking herself too seriously.
July 2007 saw the release of her first mixtape, a grassroots rap, edgier collection and light-years away from the technicolor trollop her critics accuse her of. New Nicki fans won’t find a vocalist, let alone a popstar on this thing. ‘Can’t Stop, Won’t Stop’ features the already prominent Lil’ Wayne and with other gems like ‘Dilly Dally’, ‘Sunshine’, and ‘I’m Cumin’ – the release was a success, just not commercially. Her further two EPs ‘Sucka Free’ and ‘Beam me up Scotty’ both included Lil’ Wayne again – and the first, an appearance from Lil’ Kim & Gucci Mane on ‘Wanna Minaj?’. Nicki’s a girl who’s had a healthy contacts book from the word go, hardly a ‘starship’ but certainly a metaphorical jetpack.
Continue reading Nicki Minaj: From Jeffree Star to Starships