Extraordinary Retribution – Erec Stebbins Blog Tour

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Welcome to the Extraordinary Retribution tour!

Find out all the information on Erec Stebbins’ new political thriller that readers are calling ‘dark’ and ‘engrossing’, plus enter the tour giveaway for the chance to win yourself a signed copy of this chilling novel.

Unknown-315What they say:

‘Sometimes evil is not born of madness, but madness of evil.

A rogue CIA agent partners with the brother of a slain colleague to uncover a conspiracy deep in the intelligence community. But a shadow follows them: a killer bent on a revenge so terrible, it is only matched by the crimes committed against him. In the end, no one escapes unscathed, no beliefs will go unchallenged, and no wrong will escape the terrible, final, and extraordinary retribution.’ 

My Review

In my mind a good book should be a form of escape. Some offer the warm and comforting confines of a friend’s arms, a love affair or a dream realised. Others offer a tumultuous journey of adrenalin, shady characters and murder. Erec Stebbins’ latest novel is without doubt a fine example of the latter category and my advice to you would be to approach with energy, focus and the desire to be thrilled, shocked and enlightened.

You can always tell when an author has given everything to his novel and Stebbins’ work is surely a testament to this. His characters are fully developed and believable, his dialogue quickly entraps you in this world of intrigue and the pace will sweep you along without any hope of letting you leave before the final page has been read. Personally I think Extraordinary Retribution is best experienced in hardback or paperback (as long as you can grip it in your hands and experience the whip of the page as it turns!) but whatever format you choose, this should definitely be on your ‘to read’ list for 2014.

Click Here To Buy This Book – UK

Click Here To Buy This Book – US

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Author Bio
:

Erec Stebbins is a biomedical researcher who writes political and international thrillers, science fiction, narrated storybooks, and more.

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Lael Summer Uses Soul to Fight the Good Fight

Lael Summer’s debut album, titled Burden to Bear is to be released on 21st January, 2014 through True Groove Records. Apart from Lael’s cover of Hall & Oates’ Do What You Want, Be What You Are, all the tracks are written by Lael Summer and Tomas Doncker (album produced by Tomas Doncker and James Dellatacoma, with executive producer, Marla Mase).

Old school soul and funk meets modern-day themes and a contemporary sensibility in the lyrics, all wrapped up in a polished pop production. This New York City performer has had her battles and explores some of her demons in these songs. She has a soulful voice, which she uses well on both the up-tempo songs and the ballads.

Wringing every nuance from a melody, she has soul and r&b in her DNA.  The line-up of accomplished musicians on the album, which includes Tomas Doncker, complements the vocals so well.

I’m a sucker for that fat horn section sound, which used to regularly fill a dance floor, and opener, I Need a Man struts its stuff beautifully. Apparently, the man referred to here is coming online slots up short in the bedroom! Hard-hitting lyrics also appear on You’re So Small; again, she’s telling the guy just what she thinks of him! Lael shows her sensitive side on the emotionally moving Make You Whole. I’m also a sucker for fat, funky keyboards, which appear on It’s About Soul, a song about body image and how women try to live up to what they see in the magazines and “some ideal”. This is a feisty Lael Summer, again telling it how it is without compromise.

A slow and sensual Latin beat with sultry vocals on In Time puts the listener in a mellow mood once more, and there’s more sensual lyrics on Kiss and Tell, a piece of soulful pop. As for the cover here, Lael does justice to the Daryl Hall and John Oates song, Do What You Want, Be What You Are with a soulful rendition and the musicians in great form. What Do I Know (about love) is a pop / r&b track, once more with a great arrangement. Look Around Me has those funky horns again. The Good Fight has a plaintive piano intro leading to an uplifting, rousing finale with Lael in defiant mood. Other tracks are titled Too Much and Unconditionally.

Burden to Bear takes you through different moods and emotions and shows that soul and r&b can be about whatever a songwriter wants it to be about. There are songs here to dance to, to be romantic to and to set the world straight to – a musical and personal achievement.

Soundcloud: https://soundcloud.com/laelsummer/sets/burden-to-bear

 

 

 

Film Review: A Town Like Alice

I’m not sure what I was expecting when, a few days ago, I sat down to watch this film. It was one I’d heard of but never before given a viewing for whatever reason. The title suggests something domestic and perhaps slightly delicate and pretty and yet the blurb on the TV guide said it was a WW2 drama starring Virginia McKenna and Peter Finch. So after two hours of well-crafted cinema, intrigue became enlightenment and awe.

A Town Like Alice is a gripping 1956 British drama film based on the book of the same name by Nevil Shute. It tells the harrowing story of a group of women and children forced to march hundreds of miles across Malaya from village to village by the occupying Japanese forces who refuse to take responsibility for them. It is at once awful to witness the hardship and suffering the group has to endure and yet uplifting to behold the strength of the human spirit in times of woe.

The film opens with Jean Paget (played by Virginia McKenna), in a London solicitor’s office shortly after the war. The solicitor informs her that she has a large inheritance and, asked what she wants to do, Jean decides to go to Malaya to build a well in a small village. As work gets under way, she recalls her three years of living in the village and the journey she endured to get there during the war.

Flashback to 1942 and Jean is working in an office in Kuala Lumpur when the Japanese invade and take everyone prisoner. The men are sent off to labour camps and the women and children are told they must walk to a women’s camp fifty miles away. Jean being fluent in Malay, is therefore a prominent figure within the group and helps arrange the acquisition of food and medicines they require from the locals. But after an arduous march in unbearable heat and mosquito infested swamps, the women are told by the camp commanders that they are not wanted and are therefore forced to march on in search of another camp. And so their journey continues with disease and danger always close behind.

Along the way, the group meets young Australian soldier, Joe Harman (Peter Finch), also a prisoner of war, who drives a truck for the Japanese. He and Jean quickly forge a friendship and often meet behind their guard’s back to share a cigarette and swap stories. It is here that he tells her about his hometown of Alice Springs and this is where the story’s title comes from. Joe is appalled by the suffering the group has to endure and helps them by stealing food and medical supplies from his Japanese captors. However, a theft of chickens is investigated and with Jean being the initial suspect, Joe confesses his guilt to save her and the rest of the group. For his troubles, he is beaten and crucified to a tree and left to die. The women are forced to march away but a while later, when their guard dies, Jean begs that the group be allowed to stay in a village where they will gladly work and become part of the community. This they do until the end of the war when they are repatriated.

Returning to the present day in the village where the well is being built, Jean learns that Joe Harman didn’t die against that tree and that he survived the war and returned to Australia. She therefore travels there to search for him. Likewise, he travels to London in search of her and after some disappointment, the two finally meet in the airport at Alice Springs. Very moving it is too.

This is where the film differs from the book because where the cinematic story ends, the novel continues to explore Jean’s new life in the Australian outback and examines all the joys and difficulties that that throws up.

The film was shot mainly at Pinewood studios although some exteriors were filmed in Malaya and Australia. It was directed by Jack Lee (arguably his best known work) and distributed by The Rank Organisation. It was the third most popular film at the British box office in 1956 and won BAFTAs for both McKenna and Finch. Give it a look and you’ll see why. Their performances are faultless. But then, the same could be said of the entire cast. The film itself was nominated too as was the screenplay. The pacing is spot on – your attention and interest in the characters never wanes – and the look of the film is frighteningly real.

All in all, an incredible tale of triumph over adversity – a great film made from a great novel.

 

Amelia Scalies – Blossoming with a Message

 

If someone is 14 years old and promoting herself as a singer songwriter, she needs to have the maturity to back it up. Fortunately, Amelia Scalies does and her melodies and lyrics are impressive. It’s always hard to describe a younger creative person without sounding patronizing, which is something she doesn’t deserve.

Amelia, who hails from Philadelphia, released her debut album, titled I Should’ve Known on July 18th, 2013. It contains twelve tracks, eleven of which are her original compositions. The remaining track is her cover version of Welcome to the Black Parade by My Chemical Romance. This is pop music with a harder edge lyrically and ventures into musical influences that channel her individual style well. Her themes include the sting of love going wrong and the sometimes painful ebb and flow of friendships, so important during adolescence. However, it would be unfair to dismiss these lyrics as mere teenage angst; they’re more truthful than that. Given that her compositions carry a lot of emotional weight, it’s not surprising, then, that the one cover she has chosen is My Chemical Romance’s classic.

Oh, she does like writing songs when she’s pissed off! Opening track, Bottom of the Ocean is an angry slice of thrash pop verging on pop punk. Small Talk Friends, my favourite track, is in similar vein. In this song, she threatens to hit back at the bitchiness aimed at her in the school hall and hit back hard. I wouldn’t like to cross her when she’s roused! More Than Words is another thrash pop blast of anger and she’s not in a forgiving mood. The title track, I Should’ve Known, reminds me of Ladykillers, the Britpop hit from Lush.

There is country tinged pop here too, with sweet country guitar, a genre that really suits her voice and her song writing too, on tracks, Phoenix, Rose Blossom, Macey Brown (Green-Eyed Girl) and What I Should’ve Said. Rose Blossom shows that she is capable of writing about the joy of falling in love and not just about being hurt and angry. What I Should’ve Said contains heart-breaking lyrics about a loved one slipping away and regret over not telling her she was loved.

Don’t Let Them Win addresses the topic of bullying, urging victims to stay strong and not to let themselves be overwhelmed. Amelia wrote this when just 10 years old.

Amelia’s voice isn’t outstanding in any way, but she uses it well and it will mature, no doubt, as she grows older and as she continues to perform live. Perhaps more importantly, she is a good role model for young girls going through problems, sending out a message that in preserving strength and dignity, you can win in the end.

https://soundcloud.com/tony-scalies/sets/i-shouldve-known

 

 

 

 

 

Runner

Letters from a bipolar motherSince the end of October I have been slouching ever further into my annual winter depression. Since I was diagnosed with rapid cycling Bipolar 1 Disorder in 2010, I have dedicated a great deal of time to trying to understand what that diagnosis actually means for me. I have looked back on my past experiences and mapped out exactly when my worst moods have been, and the consequences those times have had, both on my short term existence, and in the long term, to my life as a whole. I have realised that the key to remaining as healthy as possible is to ANTICIPATE and PREPARE as much as possible. It is not always possible to predict when your mood will shift but it is possible to have things in place, stop gaps if you will, to ensure that if things do go wrong, they can only go wrong to a certain extent.

My aim over the last few years has been to devise strategies that ensure the horrendous actions I have taken in the past while either low or high never happen again.

To that end, I made certain plans beginning in October last year. I had been very hopeful, given how well I had felt through the summer in comparison to previous years, that I might escape winter without another episode. When it became apparent that this was not going to be the case after all, I came up with a plan. There were four steps in this plan, each designed to ensure I minimised the damage caused by my impending gloom.

ScalesStep One was to ensure my diet did not slide as it has done during depressed moods in the past. My aim was not to continue losing weight, as I had been doing relatively well over summer, but to simply maintain my weight at the level it was at and prevent myself from regaining the two stone I had managed to lose.

I am afraid to say I have failed miserably in this regard and once again find myself in a New Year, contemplating a new start to my dieting battle, and trying to figure out how to actually make something stick.

Step Two in my plan was to invest in a Light Box. I had intended to do this at the beginning of November so that I would have this supposedly magical light therapy to keep me going throughout the winter and hopefully keep my mood from degenerating. Unfortunately, I failed here too. These light boxes are very expensive, and after considerable research (which I will detail for you in a later post) I determined that I really needed to get the ‘proper’ one, which was twice as expensive as any others, if I expected it to actually work. This was, unfortunately, £100 that I simply did not have to spare, especially with Christmas coming up and my business only just getting off the ground. I asked my mum to get me one as a Christmas present, but give it to me early so that I would have some relief throughout November and December, which in general are my worst times. She refused, it wasn’t ‘fun’ enough for a Christmas present, she wanted to get me something ‘nice’, and most of all she hates not having something to give me ‘on the day’. I cried about this more than I care to admit. Aside from anything else I hate Christmas as a general rule and can never wait for it to be over. But no matter what I said I could not get her to understand that the nicest thing anyone could possibly do for me, was give me something that might have a tangible benefit, something that might actually make the unmitigated hell I was starting to endure even the tiniest bit better.

As it happens, Christmas Day came around and Mum presented me with a lovely little card telling me I could get any Light Box I chose. Once again, I was fighting off tears, one out of relief (Christmas and New Year were NOT pleasant for me) and two because despite my gratitude at the gesture I couldn’t help but think ‘Why didn’t you let me have it early? If it works I wouldn’t have felt so bad all this time’. I was at once overcome with gratitude and very annoyed with her for not understanding.

I have now had my chosen light box up and running for six days. I do not feel that is ample time yet to pass comment on it fully, when I have had it working longer I will give a full report for those of you who are interested. I will say however, that I’m leaning towards believing it works.

The third step in my plan actually turned out to be the hardest, despite my failures elsewhere. Turning triggers into happy memories is not an easy thing to do. Triggers are so called for a reason. Even if you approach them knowing the affect they can have, trying to transform them into something positive, it is very difficult to prevent your body from reacting in a way that is essentially hardwired into you.

neverlookback

Step four has proven to be a success, although it has nearly killed me maintaining it.

Keeping myself busy. By this I did not simply mean making sure I had plenty of work to do, I meant ensuring that my mind was fully occupied every waking second of the day. This is not an easy thing for me to do. Few things fully occupy my brain, and I am well aware that this is a classic bipolar trait and one to which many of you will likely relate. I can’t simply watch television to relax. Unless I’m watching something UTTERLY ENTHRALLING, which really doesn’t happen very often, despite the fact there are many TV shows and films I love, I find I have to be doing something mentally challenging at the same time. I work on my laptop, I write, I draw, I knit ridiculously complex patterns, the list goes on. 

For November I sensibly planned to take part in NaNoWriMo and this proved to be a gift from the Gods. At first it was simply an incentive to write at home, but I soon found myself too dispirited and forced myself to go to the Write In sessions in Chester, with real people. I found that not only did I have the distraction I so desperately needed, I also had a growing number of friends.

This is almost unheard of for me. I have many virtual friends, but very few friends in the ‘real world’. Until now.

December on the other hand was very different. With the end of NaNo I found myself struggling. I been going flat out throughout half of October and the whole of November, never pausing for anything relaxing, never stopping long enough to so much as read a book because it wasn’t enough. I had spent six weeks doing nothing but work, work, work, and when I found I was too exhausted to work anymore I was dreaming up other forms of non-work related challenges to keep me going.

I took on extra freelance work, partly to keep myself busy, partly because I needed the money. By mid December I felt as if I were a runner on a treadmill, only it was placed at the very edge of an extremely high cliff. Behind me lay a sheer drop, of hundreds of feet, into a shark infested ocean. I had been running on that treadmill for a very long time at a phenomenal speed. Running was good, it was helping, it was keeping my brain busy, it was what I needed to keep myself from jumping over that cliff, but it was also dangerous; if I slowed down, even a little, that treadmill would fling me backwards and down into the waiting jaws of those sharks just as surely as I would throw myself over if I let the despair get any worse.

lifeisbicycle

I was in an impossible situation. I had no choice but be on that treadmill, for the treadmill in this analogy is my own, strange, bipolar brain. I could no more get off it than I can will myself to stop being bipolar. So I had two choices, I could run, or I could go over the cliff.

I’ve been over that cliff before. It aint pretty. It’s a bitch to climb back up, and there are those damnable sharks snapping at your heels the whole way, dragging you back down again the second you make any progress.

The trick is to never end up at the bottom of the cliff in the first place, and so I had chosen to run.

But fuck me it was exhausting.

I don’t mean slightly tiring, or ‘oh I could really use a nap’. I’m not talking about the feeling you get when you’ve pulled an all-nighter, and you feel hungover even though you weren’t drinking the night before. I’m not even talking about the chronic lethargy that afflicts me when I am severely depressed and simply can’t get out of bed.

In my life before I have never felt that tired.

I would never have believed it was possible to feel that tired.

And sleep of course was no respite. In sleep I dreamed and with my mind in the state it was at the time they were not pleasant. They were vivid, borderline hallucinatory, and they didn’t stop. Every night I endured the horrors. Every day I ran as if my life depended on it, because it did.

Slowly I can feel myself pulling out of it now. Gradually I can feel my mood begin to turn. I hope this is actually the case and not simply wishful thinking. I hope the Light Box is actually helping, and I am not simply experiencing a placebo effect. I hope that soon I can get off the treadmill.

As determined as I am to kick this cycle’s arse, I can’t keep running forever.

The Lockhearts Unlock the Power

 

http://greatvines.com/webmd-pfizer-erectile-disfunction

How to make the ‘performing to camera’ video more interesting? Day-glo colours! Mashing up  60’s psychedelic  colours  with 80’s style rock,  The Lockhearts present their Freakshow track (released 25th October 2013)  in an entertaining debut video with lots of tricksy fluorescent lighting effects popping out of the darkness. Bikini-clad babes also make an appearance, but it’s done quite tastefully for once. Feature film director, Tanzeal Rahim has brought fresh thinking  to the classic performing band, promotional video. With a catchy chorus, stonking good guitar solo and lots of energy driving the whole thing along, Freakshow is a radio-friendly and car stereo-friendly song, which can only be helped casino online by more people being aware of it through this  video. This kind of sing-along rock will never go away.

Hailing from Sydney, the quartet has been likened to Cheap Trick and the Foo Fighters. They are Tim Meaco on lead vocals and guitar, Jameel Majam on bass guitar, Age Vella on lead guitar and Brenton James on drums. They’re a hit on MTV, with Freakshow having peaked at Number 2 on the MTV Hits Chart.

The future looks busy for The Lockhearts, with plans for more recording and for extensive tours. Long hair. Tight trousers. Powerhouse rock. Arenas get ready. They may just blow your roofs off.

View Video at http://goo.gl/flNJdJ