Gabriel Blows the Walls Down

Gabriel Olteanu put together his first EP (released December, 2013), simply titled Gabriel Olteanu EP, in collaboration with three fellow musicians. Whether you remember 1980’s rock the first time around or you’re discovering it for the first time, this kind of hard rock with a metal edge has always had a loyal fan base.

This release is head banging, legs akimbo stuff – with the amps turned all the way up to 11; you get the picture. Hard rock/metal was always made to be heard live or loud or both. Listening to this conjures up an image of long hair waving from the blast of a wind machine…alas, Gabriel’s picture shows a good-looking man, but one with short hair. This 21st century departure notwithstanding, lovers of this genre will play along on air guitar to their heart’s content to the three tracks here.

This recording features Gabriel on lead and rhythm guitar along with guest performers, Franco V on lead vocals, Kevin Jardine on bass, and drummer, Peter Tzaferis. Jardine and Tzaferis are known for their work in Canadian nu-metal band, Slaves on Dope whilst Franco V is known for the Chicago hard rock band, Beneath Me. Gabriel Olteanu wrote the music and co-wrote the lyrics along with Franco V. Kevin Jardine also produced the three songs.

On the cover, a forlorn-looking guitar lies in the middle of the highway, leading to a futuristic cityscape. Starting with a blasting riff, track one is My Desire, the most melodic and my favourite of the three. This is followed by I Want It All and then Homeless Nights. All share the 80’s zeitgeist, swaying sing-along choruses and guitar solos.

Romanian-born, Gabriel Olteanu is now based in Montreal. He taught himself how to play when he was given his first guitar at age 14. An accomplished guitarist, he weaves melodic lines into his hard rock/metal style. Listening to Queen when he was a teenager was a good beginning. These tracks are not innovative or tricksy and they don’t set out to be. If you have a chunk of metal in your soul – you’ll like this.

Soundcloud – https://soundcloud.com/gabriel-olteanu-music

 

 

 

Classic TV Review: Secret Army

For anyone who may have cast an inquisitive or nostalgic eye over my review for the TV show Colditz last September, this piece will probably come as no surprise. I did, after all, say it was highly likely I would bring this show up again. Classic British TV pretty much sums Secret Army up.

It was created by Gerard Glaister (that’s the link with Colditz) jointly by the BBC and the Belgian BRT (now VRT) and it originally aired between September ’77 and December ’79 just about at the time my parents ushered me off to bed. I can well remember being awed by – and a little bit afraid of – the atmospheric and rather bleak opening titles and that wonderful, almost Rachmaninoff-like theme tune which does such a fine job of setting the tone for the show. Alan Jeapes, whose other credits include Eastenders, won a BAFTA for his efforts with these opening (and presumably closing) titles while Robert Farnon, who also wrote the music for more than forty films including Captain Horatio Hornblower R.N. gave us the theme tune.

Secret Army is a story about a fictional resistance movement in Belgium during the Second World War called ‘Lifeline’. Loosely based on the real life ‘Comet line’ which helped allied soldiers and airmen return to Britain via France and Spain and on through Gibraltar, there is a realism to the show that makes it totally engaging. Indeed, Glaister, who was an RAF pilot during the war and would later be awarded the Distinguished Flying Cross for his services as a photo reconnaissance pilot in the Western Desert, drew on his experiences as inspiration for the series.

The Café Candide is the main setting of the show and it is run by Albert Foiret (Bernard Hepton) and acts as the hub for the characters. It is the Rovers Return (apologies for another soap reference) of the show, where meetings take place and information is passed that drives the plots. The café is situated somewhere around Brussels where the locals as well as the occupying Nazi forces frequent the place while Albert covertly helps Lisa Colbert (Jan Francis) – a doctor’s assistant by day and a leader of the resistance by night – run ‘Lifeline’. Other members of this ‘secret army’ abound such as the waitress Natalie (Juliet Hammond-Hill) and Albert’s mistress Monique (Angela Richards). If this scenario is beginning to ring bells, then those bells are most probably chiming the theme tune to the sitcom ‘Allo ‘Allo!, which was a hugely popular but dare I say it, rather idiotic, parody of Secret Army, which ran from 1982-92.

The rest of the characters are either locals, fellow collaborators like S.O.E. Officer Flight Lieutenant John Curtis (Christopher Neame), Nazis or allied officers trying to get back to Blighty and it’s the job of the resistance to make that happen. Of course, there would be no tension if there wasn’t the opposing force and therefore, it’s the job of Major Brandt (Michael Culver) and Sturmbannführer Ludwig Kessler (Clifford Rose) to capture every single evader, unearth every safe-house and to close down the evasion line. And therein lies the game of cat and mouse, the show’s recipe for excitement, as one side always tries to gain the upper hand on the other. But it’s a game that costs lives.

I can’t tell you what happens to the characters as the show progresses through its 43 episodes (3 seasons) because I haven’t seen them all yet. But what I have seen has been enough to make me cross my fingers and hope that it gets a rerun on TV soon. There’s nothing gratuitous in the writing, as there is with many contemporary shows; it’s just damn fine storytelling inspired by real-life events. In fact, according to the trivia on IMDB, every one of the scripts were based on real events and thoroughly researched to the point that on more than one occasion, the BBC had to reject a script on the basis that it was deemed too accurate and therefore potentially upsetting to audiences or too politically sensitive. How’s that for reality TV.

 

Particle Wave Washes on a Distant Shore

Los Angeles-based Particle Wave is a 4-man band with the ability to make you smile. Their third studio album, titled Grand Unifier, is scheduled for release on 25th March, 2014. Much of this 11- track album is California sunshine meets British 60’s beat groups. Psychedelia and surf rock is carried by gorgeous, gorgeous guitars; the result is timeless.

Continue reading Particle Wave Washes on a Distant Shore

Moving On

My sister is currently in the process of moving house.

It never occurred to me that I would find this a particularly momentous occasion, not for myself at least. She has been trying to move for over a year now, since she fell pregnant and it became clear they didn’t have enough space in the house in which they currently live. I have however found myself considering a number of things in light of their move, specifically how much my relationship with my sister has changed since she first moved into her current house, and how much better I have become at dealing with potentially dangerous triggers in my life.

I was not invited to my sister’s current house until many years after she had first moved in. The first time she invited me, I mentioned that I’d never been before and she was shocked, and said that couldn’t possibly be right, but it was. The truth of the matter was that neither of us liked to acknowledge the fact that, until recently, we were not close.

This was not the case when I was very young, but as I remember it (she may have a different recollection) there reached a point when I was about five or six when she no longer seemed to understand me. I can’t speak for her, but from my perspective, it seemed she found me strange, embarrassing, and generally an annoyance. It was not often she spent time with me, and when she did it was strained. I usually upset her—not on purpose, but simply by default. I was going through an awful lot she was totally unaware of and I was, from a young age, angry the majority of the time. As a result, she kept me at a distance, from herself, her friends, and her boyfriend (now husband) when he came along. Looking back, I can understand why. My moods were unpredictable, usually quite unpleasant and, at the time, totally inexplicable to my family, who had no idea I was bipolar, and no idea what else was going one. I was conditioned to keep bad things a secret from a young age. Consequently, I never told anyone when something bad happened.

Blog 0017 MedsThis was a pattern that wasn’t broken until after my diagnosis in 2010. It was only then, at the age of nearly twenty five, that I was finally told I had bipolar, and finally began to unravel the mess that was my life. It was another eighteen months before I managed to extricate myself from a very bad situation, move home to my mother—another member of my family with whom I had previously had a very strained relationship—and get on the MEDs that would finally give me a little relief from the madness. It wasn’t a quick fix, it has taken a lot of time and effort and I still suffer the effects of my mood swings, but I am learning how to deal with them.

I am also pleased to say that I have learned how to be a better sister.

That said, one of my greatest regrets is that I was not a bridesmaid at my sister’s wedding. This was not, I hasten to add, because she didn’t ask me to be one. She did, and I agreed, very excitedly at first, until I let myself think about the prospect of standing up in front of all those people, in a posh dress, beside all of my sister’s friends. This, again, may only be my perspective, but I have always found the majority of my sister’s friends to view me in a similar manner to my sister—strange, rude, and to be avoided. On occasion, they have been downright horrible to me, but then again I imagine they have been on the receiving end of my own rudeness at times also. If she asked me again now, I might perhaps be able to manage it, but at the time I was only recently diagnosed, I was in the midst of a very bad bout of depression, and I could not summon the confidence to stand—all eighteen stone of me—next to several size 8 princesses and my equally regal and skinny sister.

I will never forget the feeling of having totally let her, and myself down that day.

Blog 0017 PregnancyThe real change in our relationship, for me at least, came when she fell pregnant. I was petrified at first that this would trigger me, and I wasn’t alone. My mother, my psychiatrist, my GP, and my friends, were all on high alert for me to start slipping, but I surprised myself—and them—by coming out of my shell somewhat and stepping up to the plate. For the majority of her pregnancy, my sister suffered from severe pelvic girdle. I was studying for my PhD full time at that stage, and so my time was reasonably flexible and I spent a lot of time helping out and looking after her. Indeed, for the last three months of her pregnancy she was in a wheelchair, and needed a lot of help, a situation which continued for some time after the birth of my niece, as my sister slowly recovered.

The notion of there being anything at all wrong with her was, I feel, so utterly terrifying for me that it overrode my own shit enough that I could actually deal with the pregnancy and subsequent birth of my niece with minimal trauma. The reason everyone was so worried was, of course, due to a miscarriage I suffered when I was eighteen. That event was, perhaps, the worst thing that has ever happened to me—including the fire—as it had such a detrimental effect on my mental health. It scarred me in a way I’ve never been able to fully explain or understand, and it is a scar that is easily reopened. My worst triggers are the ones that remind me of my miscarriage.

And so it was a point of pride that I was able to look after my sister while she was pregnant, and put her needs before my own. It is a point of pride that I have fallen so in love with my niece, that I do not look at her and see my own child, the child I never knew, which is something that usually happens when I encounter small children—even my goddaughter and her younger sister were dangerous for me to be around when they were young, and consequently I didn’t see them regularly until they were older, and I could disassociate them from babies. This, again, is something I will always regret, having missed out on them when they were that age despite loving them both almost as much as my niece.

I have been thinking a lot about this over the last week, as my sister prepares to leave the house she wouldn’t let me anywhere near for years, and move to a new one, a fresh start for her family, and a fresh start for my cognitive associations, because I now will not have to be reminded, whenever I visit her, of the fact that she kept me away for so long. The fact that I will always be welcome at their new home is, again, a point of pride for me, and I am delighted to say that (coincidently) my niece also decided that yesterday was the day she would take her first steps.

Moving OnWe are, all, moving on.

There have been other stresses over the last few weeks, things that have, one by one, driven my mood down. The worst of these was the fact that my grandfather had a bit of a health scare, and had to go into hospital for a minor procedure. I am beyond relieved to be able to report that he is fine, and now home, but I found it to be an incredibly stressful experience. The memory of my Nanny’s long, painful illness and subsequent passing is still too raw, still too recent, and fear for what might happen to him has kept me wide awake most nights for the last fortnight, leaving me exhausted.

I am, also, ashamed to say that I did not visit him in hospital.

I tried. Plans were made for me to visit with my brother and his girlfriend when they were going, so I did not have to face it alone. These were scuppered when we thought he was being discharged early, and I had to rush over to his flat and get everything clean and ready for him to get back. He was not, in the end, let out that day, and the following morning I braced myself for going alone, or at least with my mother later that day.

I couldn’t face it.

I’m not sure what upsets me most about this, the fact that I let down my granddad by not going to visit when he needed, and expected me to be there, or the fact that the reason for my absence was not fear of seeing him in hospital, or worry over his health, but sheer terror over stepping foot in the building.

He was in Macclesfield hospital.

Ten of Hearts

In a couple of months the ten year anniversary of my miscarriage is going to smack me between the teeth. I am preparing for the possibility it will floor me, although I am vaguely hopeful that I will manage it better than I’m expecting. I have managed my sister’s pregnancy, I’ve been active in looking after my niece and see her often. Surely, I tell myself, I can cope with a date.

It’s meaningless.

So I tell myself.

Yet when faced with the prospect of returning to the very place where, almost ten years ago, I was ferried in an ambulance while losing a child I was, at that point, unaware I was even carrying, I fell apart. Would I have managed it, had I been able to go that day with my brother? I have no idea. I like to think I would have. I like to think that I have moved on enough to have been able to cope with that, albeit with the support of someone else. I have however learned that one should not be so stubborn as to refuse the aid of others if it’s what you need to get you through the day.

That, for me, is a monumental achievement. I have always been a lone wolf, keeping my problems to myself, and dealing with them (or more often utterly failing to cope with them) alone.

So I find myself thinking, in the midst of my complete exhaustion, that even though I failed to visit, I did not fail entirely, for I was able to acknowledge the fact that I wanted to go, but needed help to manage it. I was able to ask for that help. And had circumstances not prevented it from happening I like to think I would have succeeded in making that visit, and not completely fallen apart as a result.

I am, it would seem, also moving on.

I’m just doing it a lot slower than most.

Film Review: My Man Godfrey

I hope you haven’t had a complete bellyful of the Oscars just yet because I’ve got one more little fact I’d like to share with you which I stumbled upon while reading up for this review. It’s no game changer and nothing that’ll have you losing sleep so don’t worry but, here goes – The 9th Academy Awards ceremony which was held in March 1937 was the first time that supporting actors and actresses had their own categories. Prior to this, all lead and supporting acting nominations were pitched together. There you go. Well, I did say it wasn’t going to change your life!

The reason I inflict this snippet of info upon you is because My Man Godfrey was the first film in Oscar history to receive nominations in all four acting categories. Of course, one could argue that it would have been impossible for an earlier film to have beaten it but that would just be facetious. Fact is, it might not have happened for years. That it didn’t win any of them also makes history because it’s the only film to receive these four nominations and not win at least one. And as if that isn’t enough, it’s also the only film to have these four nominations and not have the Best Picture nomination as well. It was nominated for Best Director and Best Writing, Screenplay as well and, not winning anything there either, means it also goes down in history as the only film to be nominated for those six and to lose them all. And they say it’s just the winners that are remembered. Poppycock!

Anyhoo, I forget why this title came to me but, a few days ago, come to me it did and with my mood suited for an early screwball comedy, I thought I’d give it a look and see what all the fuss is about, of which there seems to be plenty.

The film is interesting for a number of reasons, not least because it teamed William Powell and Carole Lombard who had three years previously been husband and wife. Powell had apparently insisted on his ex-wife being his co-star saying that their real life romance had been similar as it was for their characters in the film. They had starred together twice before in 1931, Man of the World (where they met and soon married) and Ladies’ Man.

It’s also interesting because although it’s classed as one of the great screwball comedies, I found it less screwball than a lot of others from the era. Yes, Lombard is completely in the zone as the zany, young, spoiled heiress and Powell plays the straight man against her with aplomb but it’s the movie’s theme that raises it above the multitude and saves it from just being fun but daft. This film is set (and was made) during The Great Depression and as its story unfolds we receive its serious and rational and socially aware message. It turns out that not only is this movie hilarious on the surface both visually and with its sparkling dialogue but it’s rather clever under the skin as well.

The film opens with Godfrey Parke (Powell) living on a city dump alongside other men who are finding life tough. Actually, the film opens with some lovely opening credits, the titles zapping up in gaudy neon signs stretched across a city roofscape as the camera pans right. Back to the dump though and spoiled rich girl Cornelia Bullock (Gail Patrick) climbs out of her limousine and offers him five dollars to be her “forgotten man” at a scavenger hunt. Annoyed that the wealthy find amusement in the plight of the needy and the homeless, Godfrey tells her where to go and in doing so causes her to fall on a pile of ashes. She leaves in a fury with her chaperone much to the delight of her younger sister, Irene (Lombard) whom also wants a “forgotten man”. Godfrey talks to Irene and finds her to be a nicer person than her sister and offers to help her so she can beat her sister.

They arrive at the swanky hotel ballroom where the scavenger hunt is taking place and, after proving to the judges that he is a bonafide homeless man by answering their inane questions, he addresses the crowd and condemns their pointless game. Irene, realising she has hurt his pride, offers him a job as their family butler.

And there, in a nutshell, you have it; the foundation of a wonderful plot.

Godfrey’s first morning, he turns up all suited and booted and is welcomed by the Bullocks’ smart-mouthed, cynical maid, Molly (Jean Dixon). Molly is the only servant who has been able to put up with the bizarre antics of the family, antics which quickly become apparent to Godfrey once he calls on each family member with their breakfast tray. Luckily though, he appears to be a gifted butler and so all the family, especially Irene, who appears to be besotted with him, is glad to have him around. All except Cornelia whom he made fall into the ash pile. She has a grudge that simply won’t be buried.

And so, as the plot thickens, to coin an overused phrase, we learn more about this man Godfrey and we discover, after a friend from his past pops up, that he’s not what we first assumed. The socio-economic hardship of the time also plays its part almost as a character and as such, it’s influence is never far from the screen. Overall, My Man Godfrey is an extremely engaging film but impossibly lighthearted too.

As is so often the case with these classics, the cast is without fault. Gail Patrick as the sister, Alice Brady as the mother and Eugene Pallette as the father are nothing short of wonderful, as is Jean Dixon who plays the maid. Mischa Auer as Mrs Bullock’s sponging and constantly hungry “protege” is ideally cast too. But it’s Powell’s and ultimately Lombard’s show and with Lombard’s life being cut tragically short when she perished in a plane crash in 1942, it leaves one wondering just how much more she might have left for us. Having said that, it makes me want to celebrate all that she did leave for she was, without question, a unique talent.

My Man Godfrey was directed by Gregory La Cava, a former animator for William Randolph Hearst’s newspapers who had begun directing silent comedies in the early ’20s. Although this is arguably his best known work he had a reasonable success the following year with Stage Door, starring Katharine Hepburn and Ginger Rogers.

My Man Godfrey was adapted from the short novel, 1101 Park Avenue, by Eric Hatch and was a huge hit upon release in September 1936. In 1999, it was selected for preservation in the National Film Registry as being “culturally significant” by the United States Library of Congress. It frequently turns up in Top 100 lists as the greatest this or that too and having finally watched it, it’s easy to see why.

For me, it’s simply a flawless gem from Hollywood’s past. Although, I think perhaps I should say, another flawless gem, because as I continue to write these reviews for The Daily Opinion, I continue to discover amazing movies from yesteryear. Some are well-known and respected while others are often overlooked but either way, my joy is in finding them.

Grumpy Old Menopause – Carol E. Wyer Blog Tour & Giveaway!

Grumpy Old Banner

Hello and welcome to the Grumpy Old Menopause blog tour! Having taken the world by storm and rocketed up the charts to become the #1 best selling book on Amazon, this light and humorous guide to beating the more unpleasant symptoms of the menopause is essential reading for anyone going through or simply preparing themselves for this unavoidable change. So buckle up and let Carol E. Wyer show you how it’s done!

 

Unknown-305What they say:

‘Have you started to write post-it notes with your kids’ names on them? Do you need to change your underwear after every sneeze? Guess it’s time to read this book then. It’ll help you get through “that” time in your life with a spring in your step and a smile on your face.

With numerous suggestions, sensible advice and amusing anecdotes, Grumpy Old Menopause will help you sail through that tricky part of a woman’s life with ease and humour. It should prevent you from turning into Mrs Crabby or worse still, a demonic monster.’

An excellent mix of humour and sound advice. This book is a must-read for all women … I highly recommend Grumpy Old Menopause. It is the perfect blend of humour and excellent advice to help all women sail through the menopause.” – Nicky Snazell, Fi STOP Consultant Physiotherapist in Spinal Pain, Fellow of Institute for the Study and Treatment of Pain. International Lecturer in Pain and Health.

Click Here To Buy This Book – UK

Click Here To Buy This Book – US

Review by Elizabeth Wright:

When it comes to women’s issues and comedic honesty I am all ears, so I knew I would love Carol E Wyer’s latest book even before I picked it up. And I wasn’t disappointed. The title may suggest that the book is only suitable for women of a certain age, but in reality the ideal audience is considerably wider. Although I doubt many men would read it, I’d recommend this book to men and women of all ages.

If you’re going through the menopause it will ease your worries and give you a good belly laugh in the process. If you are younger, or male then this book will give you an insight into a very natural aspect of life and help to dispel the taboo that has accompanied it for so long.

All comedy aside, it is evident from the outset that this book has been written with female experience and emotion in mind and it is some of the sincerest writing I have read in a long time.

 

photo (42)Author Bio

I have always written stories. My early stories were for children and sported silly titles like Humphrey and the Dustbin Cats, Hurrah for Hugo! and Noir and Blanc – Two Naughty Cats. They taught French language to younger children and were accompanied by a tape of French songs, mercifully not sung by me.

I began writing for adults after my son left home. I converted his old bedroom into an office and set about writing humorous novels largely aimed at women of a certain age.

The rest is history. Following much media success with Mini Skirts and Laughter Lines, I signed the Amanda Wilson novels with Thornberry Publishing. In 2012, I was lucky enough to be offered a three book deal with Safkhet Publishing. They have published How Not to Murder Your Grumpy and Just Add Spice, and released Grumpy Old Menopause, the sister book to How Not to Murder Your Grumpy, in December 2013.

I now write full-time. When I am not working on a novel, I’ll be writing articles for magazines such as Woman’s Weekly, or blog posts for The Huffington Post and Indies Unlimited.

My books aim to encourage as many people as possible to age disgracefully and enjoy life. After all, life is short and ‘he who laughs…lasts!’

Find Carol

Facebook | Twitter | Blog | Website | YouTube | Huff Post

BBC Breakfast1A Grumpy Old Success

Since its release, Grumpy Old Menopause has been featured on no less than 28 radio stations and the Staying Young Show over in the US. Magazines have come-a-knocking too, with articles in Take a Break, Women’s Weekly, Women and Golf Magazine, Wolverhampton Magazine and Staffordshire Life, while the bright lights of prime time TV also beckoned when Carol was interview on BBC Breakfast Television in November 2013 – click here to watch the interview.

 

***GIVEAWAY***

 

Win a signed copy of Grumpy Old Menopause and an edible Chocolate Scrabble board game – ‘helps improve your brain and when you’re angry eat the pieces,‘ says Carol.

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